This week I have been posting some of the new items for the 2009 - 2010 season. I haven't been able to properly work on my jewelry for a while, because of other responsibilities, so I finally get a chance to play with some of my new beads and gemstones.
This Easter, I took a nice trip with my best friend to New York, where we both got the chance to buy some lovely beads in the Fashion District. Some of my favorites were these luminous faceted prehnite drops, which boast a perfect spring green color. I paired them with lustrous button-shaped pearls in two sizes, tiny faceted peridot rondelles and icy blue moonstone rondelles.
The delicate color palette was perfect for a regal set of princess-length necklace and matching cascade earrings: The Faerie Queene set. Named for the famous poem, it really reminded me of a mythical fairy: delicate, regal and beautiful. The necklace features a handmade chain of pearls and gemstones, individually wrapped in sterling silver wire. A lovely prehnite is the focal pendant, topped with a cluster of pearls and gemstones. This necklace is a bit longer than what I'm used to making, with 18 inches of pure luxury. The earrings feature gradating sizes of pearls, with subtle accents of peridots and moonstones. Each bead has been individually set on a sterling silver chain.
I will be gradually adding more of the new pieces to my Etsy shop!
Today I listed a new item in my Etsy shop: a boxed set. A cute fabric-covered box unfolds to reveal a matching journal. These elegant sets are the top-of-the-line items in my shop.
The process of making the book and its box is quite time-consuming, but makes for a lovely end result. First, I need to make the backcloth. Fabric cannot be easily pasted to the book boards, so it needs to be backed with paper to make it stronger and easier to paste. This takes about a day for the fabric to dry and be ready to use.
Meanwhile, I make the signatures for the book, folding and tearing the paper, then grouping the leaves to make the signatures. Then it's time to measure and cut the boards for the covers. Once the backcloth is ready, I measure and cut fabric for the covers, a bit for reinforcing the spine and three little strips for sewing the book. I punch the holes for sewing the signatures and once the book is sewn, I reinforce the spine with a bit of gauze. Finally, I cover the boards with fabric and paste the signatures to the covers.
Once the book is ready, I measure it so I can get precise measurements for the box. Then I cut the boards for making the box, as well as the fabric and endpapers. I always use the same paper for the signatures and the endpapers in the box! I cover the boards and assemble the box. Before covering the inside, I attach the ribbon ties. Finally, the book and the box are left to air dry for a couple of days, and voilá! A new boxed set is ready.
I have made five of these boxed sets since I learned how to craft them. As you can see, they take a while to be ready, so they become a major project for my bookbinding sessions. I hope you enjoy them!
In January, I took a wonderful class on handbinding techniques. It came as a surprise how much I enjoyed working with paper: folding, tearing , sewing and pasting papers to make colorful little books soon became a much needed distraction from work! I've always collected unusual papers and it was finally clear what I could use them for.
We learned many different techniques, from simple butterfly and album style bindings, to beautiful Japanese sewings, exposed spine bindings and we even made our own bookcloth for a boxed set.
Since then, I've tried to make time for a little bookbinding every once in a while. I still find it extremely relaxing, and it's always a great experience to be able to work so closely with paper, fabric and thread. I started learning on my own: I purchased some books (Keith Smith is a great teacher!) and started trying some interesting sewings. Soon, I realized that I enjoyed coptic stitching the best, and created a line of cute little journals that used this beautiful stitch.
My Washibooks combine some materials I find particularly enjoyable to work with: Costa Rican banana paper, which has a great texture and is also good for the environment; Japanese washi papers, which feel almost like fabric and have some of the most beautiful designs I've ever seen; and cotton and hemp threads in many colors. I especially love putting together the combinations of papers and colors that will make up each book. The covers, back covers, endpapers and thread can feature wonderful harmonies or vibrant contrasts.
The loving process of tearing the paper for the signatures, covering the boards for the covers and sewing the book together is a wonderful experience, and it always produces a cute little book that can be carried around, admired, and used for writing or drawing whenever the inspiration strikes.
You can now find my Washibooks at my new Etsy shop!
From the slightly bonkers crown of thorns, pompadour and toreador:
Stephen Jones for Galliano for Dior ;)
Swooping crowns, airy textures, a dash of veiling and a generous handful of ostrich feathers.
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BUY KissCurl Millinery @ Etsy ($USD)

BUY KissCurl Millinery @ Folksy (£UKP)

BUY KissCurl Millinery @ DaWanda (€EURO)

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Designers and Models
Left to Right: Schiaparelli, Sally Victor, Givenchy
Designers and Customers
Left to Right: Gilbert Orcel, Frederick (Frederic Hirst?), Mr John
And the joy of trying hats on!
Left to Right: Ohrbach's Hat Dept, Elaine Stewart, Maeve Brennon
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BUY KissCurl Millinery @ Etsy ($USD)
BUY KissCurl Millinery @ Folksy (£UKP)
BUY KissCurl Millinery @ DaWanda (€EURO)
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I went for a bit of a bit of a jaunt around the shops yesterday, and as
usual had a look at some of the high street millinery offerings.
There's quite a lot of these hats/fascinators on headbands at the
moment. It's nice to see the saucer hat somewhere other than Ascot :)
It's such a romantic shape, always making me think of it being perched
on a tumble of curls (though it's rarely worn that way nowadays).
Few women are confident around hats nowadays. To pick up a hat and try it this way and that. To take it home and add a brooch, a found pheasant feather and a swathe of veiling for a special occasion, or wear it plain and backwards when the fancy takes.
There are a lot of reasons for this. Most of us grew up never seeing the women in our families wearing hats. Go into a department store and the hat area is devoid of staff. There's no-one around to encourage people to just try hats on!
A lot of women are drawn to hats and fascinators but if it doesn't fit over their head they don't have the confidence to know how to wear it (answer: any damn way you like ;). And I can see that the hat on a band is going to encourage people to step outside the previous comfort zone and wear something bigger than a feathered comb and more exciting than a sinamay 'wedding hat' because they know they can't get it 'wrong'.
And that's a good thing, isn't it? Then why do I have a picture of one of these in my head?
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BUY KissCurl Millinery @ Etsy ($USD)
BUY KissCurl Millinery @ Folksy (£UKP)
BUY KissCurl Millinery @ DaWanda (€EURO)
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Which countries have you visited?
Thailand, Ghana, Togo, Burkina Faso
Which countries are on your list to visit?
Mali, Senegal, Nigeria, France, Italy
I'm 22 today! Wow, I feel old!